Vincent then moves on to Cuesmes to continue similar work helping the miners. It is at this time, however, that his religious devotion begins to wane and his interest in painting is renewed.

After arriving in Paris Vincent begins studies with Cormon (1845-1924) at his atelier. It is not so much the training that influences Vincent, but rather his introduction to his fellow students: John Russell (1858-1931), Henri de Toulouse-Lautrec (1864-1901) and Emile Bernard (1868-1941). Later in the year, Theo, who is working for Boussod & Valadon managing an art gallery in Montmartre, introduces Vincent to the works of the Impressionists: Claude Monet, Pierre-Auguste Renoir, Camille Pissarro, Edgar Degas and Georges Seurat. Their work has a profound influence on Vincent and his use of colour. Later in the year, Vincent becomes friends with painter, Paul Gauguin, a turbulent relationship that would later prove to be another turning point in Vincent's (and Gauguin's) life.

Throughout the year, Vincent continues to paint some of his best work. He anxiously awaits the arrival of his friend, Paul Gauguin, who he dreams of helping him to set up the artists' community. Gauguin finally arrives in October and moves in with Vincent in his "Yellow House" This proves to be an extremely rewarding and productive time for Vincent and Gauguin, though a tense and often turbulent one in which they would endlessly argue about art. As the weather worsens, so too does their relationship, which is finally destroyed on 23 December when Vincent is supposed to have attacked Gauguin with a razor. Immediately after the failed attack, Vincent loses all reason and cuts off his left earlobe. He then wraps it in newspaper and presents it to a prostitute at the local brothel he frequented. He is then hospitalized and shortly afterward Theo arrives from Paris to make arrangements for Vincent's care.

The year progresses with varying recoveries and lapses in Vincent's mental state. When able, Vincent continues his paintings of landscapes (his famous series of olive groves and cypresses) from the asylum, but is forced to stop when his attacks (in which he tries to poison himself by swallowing his own paints) return. Since these attacks often occur while Vincent is outdoors, he confines himself indoors and begins to do a series paintings based on the works of other artists he admires (specifically Millet and Delacroix).

Ironically, as Vincent's mental state steadily deteriorates throughout the course of the year, his work is finally beginning to receive recognition in the art community. His Starry Night over the Rhone and Irises are exhibited at the Salon des Indépendants in September and in November he is invited to exhibit six of his works by Octave Maus (1856-1919), secretary of the Belgian artist group, Les XX.

Vincent begins to work out of doors once again, but the year concludes with one of his worst attacks, in which he again tries to poison himself, and he is once more incapacitated.

June: Vincent continues to produce some of his best work and his mental and physical health improve drastically. Dr. Gachet feels that Vincent has made a complete recovery, and Vincent spends a great deal of time with Theo, Jo and his new nephew. To many, it would appear that Vincent was finally happy.

July: As conditions for Vincent improved, they took a turn for the worse for Theo, who was experiencing financial difficulties and who was troubled at his new son's ill health. Vincent visits Theo on 6 July and is devastated at the state of Theo's condition. Vincent continues to work in the weeks to follow, but his mental state finally plummets, perhaps owing to his regarding himself as a burden to Theo and his family and for being responsible for their poor financial state and troubles. On 27 July Vincent goes for a walk and shoots himself in the chest with a pistol. He manages to stagger home late in the evening, but tells no one of his condition. The wounded Vincent is eventually found in his lodgings and a doctor is summoned. The bullet cannot be removed and Theo is called for.

Vincent's last hours are much like the last two years of his life--varying from complete mental anguish to seeming contentment. After attempting suicide, Vincent spends the little time he has left sitting up in bed and smoking a pipe, all the while with Theo at his side. Near the end, Theo climbs into bed with Vincent and cradles his head in his arms. Vincent says: "I wish I could pass away like this."

Vincent dies early the next morning on 29 July. The funeral takes place shortly thereafter and his coffin is covered with dozens of sunflowers, which he loved so much.